Tuesday, 27 May 2008

Saves The Day

Saves The Day   
Artist: Saves The Day

   Genre(s): 
Rock
   ROck: Alternative
   Other
   Rock: Punk-Rock
   



Discography:


Under the Boards   
 Under the Boards

   Year: 2007   
Tracks: 13


Sound The Alarm   
 Sound The Alarm

   Year: 2006   
Tracks: 13


Ups and Downs: Early Recordings and B-Sides   
 Ups and Downs: Early Recordings and B-Sides

   Year: 2004   
Tracks: 19


In Reverie   
 In Reverie

   Year: 2003   
Tracks: 12


Stay What You Are   
 Stay What You Are

   Year: 2001   
Tracks: 11


I'm Sorry I'm Leaving   
 I'm Sorry I'm Leaving

   Year: 2001   
Tracks: 6


Through Being Cool   
 Through Being Cool

   Year: 1999   
Tracks: 12


Can't Slow Down   
 Can't Slow Down

   Year:    
Tracks: 14




Perfecting their force pop rock candy since the mid-'90s, New Jersey's Saves the Day send for it like it is. They forbear from characteristic pogo-pouncing anthems for their possess far-out post-punk and energetic live shows, influencing a new schooling of emo/punk bands along the way. The first-class honours degree incarnation of Saves the Day happened when singer/songwriter Chris Conley was only 13, and the band was first called Indifference and later, Seffler. A name change to their current cognomen, interpreted from a lyric from the Farside song "Hero," came with the recording of their beginning demonstration. Conley (vocals), Eben D'Amico (bass), Ted Alexander (guitar), David Soloway (guitar), and Bryan Newman (drums) made their debut with 1997's Can't Slow Down on Equal Vision Records, though D'Amico didn't join the lineup until afterwards this album. Recorded during wintertime break of their highschool aged year, the record featured production play from Steve Evetts (Sepultura, Dillinger Escape Plan, Sick of It All).


Through Being Cool followed deuce years by and by, gaining a wider fan al-Qaeda and critical winner among select punk markets with its greater crop up esthesia. However, Saves the Day changed things up for 2001's Rest What You Are. Their third instalment, and first vent for Vagrant Records, Stay put What You Are brought Rob Schnapf (Beck, Elliott Smith, Toadies) to the mixture boards for a more structured punk rock rock cause. The record album sold more than cc,000 copies, landed on the Billboard charts, and produced deuce heavily rotated MTV2 videos for "At Your Funeral" and "Freakish." Lots of touring followed; they headlined 2001's Vagrant turn with labelmates Dashboard Confessional, and scored opening slots for Weezer and the Pop Disaster Tour with Green Day and blink-182.


In Reverie, the band's first gear for DreamWorks and with new drummer Pete Parada, followed deuce eld by and by. Vagrant issued Ups & Downs: Early Recordings and B-Sides in August 2004, an album that contained precisely what the title states. Saves the Day re-signed with Vagrant in early 2006 and officially welcomed new bassist Manny Carrero into their ranks. Sound the Alarm followed that April, which of course meant circuit dates through the rest of the year, including dates on summer's Warped. Parada made his way out in March 2007 and was replaced soon sufficiency by ex-Classic Case/Glassjaw drummer Durijah Lang.